I'd spend a lot of time detailing how much I respect and admire the work of Bill
Moyers, but I just have to gripe about two of his recent PBS offerings.
Katrina Revisited
and
Rachel Carson's Legacy
-two serious topics that are treated as puff pieces.
If you haven't seen the show or read the transcript, what would you expect from a Bill
Moyers' program called Katrina Revisited?
Given
Moyers' record, you might think he'd introduce the topic with footage and a voice over to set the stage and then do detailed interviews with state, local and federal experts on disaster response.
With all the finger pointing going on, there is an opportunity to get some independent experts to weigh in on the subject and get a discussion going with the people who actually were part of the response. Get them to spell out what kind of response could reasonably be expected - and then detail what happened. It would be useful to know where things did go right and where things fell apart.
Again- it being Bill
Moyers, I think expecting something like this is reasonable.
Instead, Bill has two guests: Mike
Tidwell, an environmentalist and Melissa Harris-
Lacewell, a professor of African-American studies.
Tidwell has written books about vanishing wetlands and global warming, Harris-
Lacewell has written on the influencing factors of modern African-American
politcal thought, and participated in a study of racial attitudes related to Katrina.
Both guests are charming and well informed on their subject matter- but instead of a detailed analysis of events and decisions - we get an hour of two academics shooting the breeze.
Tidwell (surprisingly) blames Katrina on a world ignoring the consequences of global warming, and Harris-
Lacewell (gasp) sees racial inequity under every rock and bush.
I don't mean to suggest that their observations are incorrect, but they're just the kind of academic
puffery that appeals to the choir and drives away the masses. Something as big as Katrina - you'd think you want to pull in people with analysis that isn't floating out of an ivory tower. A discussion of what choices were made, what resources were available, and root causes of identified problems - that would actually help. If people understand what happened (sans rhetoric) they can put officials on notice about what should and should not be in our future disaster plans.
As presented, you'd think that the chief lessons learned from Katrina were that global warming and racism are bad. Well, thanks for the insight. Now what are we going to do before the next storm comes to the gulf coast ready to kick our butts?
---
The Rachel Carson show was particularly annoying - partly because there is so much out there about how she was a visionary/she was an amateur. Her supporters concede some mistakes on her part, but there are people who claim her work has led to pesticide policy that has killed millions. I'd sure like to know what the deal is. Are her supporters deluded or justified? Are her critics right or vengeful?
Fortunately, Bill
Moyers is on the case. Except, in a piece entitled "Rachel Carson's Legacy" he spends the bulk of his time interviewing
Kaiulani Lee, an actress and playwright, and showing excerpts from her play 'A Sense of Wonder.' The play stars Lee as Carson recounting her life and experiences in an affected Hepburn-
esque monologue.
Does this address the legacy of Carson's work? You be the judge:
Lee (as Carson): This place fills me with peace. There's of course magnificent beauty. I am surrounded by the forest and the ocean, this rocky coast. And this solitude, far away from public clamor. To stand here at the edge of the sea, to sense the ebb and flow of tides, to feel the breath of a mist over the great salt marsh. To watch the flight of the shore birds...
-and it goes on like this for forty minutes. Lee (seemingly
posessed by Carson) narrating her way through this or that anecdote of Carson's life. It's dramatic, but is it historical?
Moyers puts that question to the medium-
Bill Moyers: When we watch you and listen to you, are we hearing her literal words? Or is this-
Kaiulani Lee: Many of them.
Bill Moyers: Many of them?
Kaiulani Lee: Yeah. A very large portion of the play is her words.
Well, that's comforting. It's mostly true, you see. Look, as a play - Lee's got every right to
dramatize all she wants. It's probably a hell of a good show, too. Carson did have an
interesting life - and I'm sure it's a moving performance...
-but I'd kinda like to be informed.
Assuming the broad strokes of the play can be relied upon - there are some items in there that are pretty interesting. I didn't realize that she'd authored so much before Silent Spring, good to know. I hadn't realized she had actively tried to recruit others to write Silent Spring, and only wrote it herself when everyone she asked turned her down.
Now, how about telling me more about what Silent
Spring's impact was and how it has held up over the years?
After detailing Carson's personal life, her losing battle with cancer - we hear Lee channel some Carson dialog about her upcoming testimony and how her book's thesis was "vindicated completely" (a fine thing to say, but I can hardly cite dialog from a play as a credible source).
Then, literally in the last three sentences of the show,
Moyers gives us this:
Forty three years after her death, Rachel Carson's work is under attack again. Critics like to point out she was incorrect about the cancer rates of some pesticides, but they go further to claim her warning about the widespread use of toxic chemicals has allowed diseases like malaria to make a comeback. If you go to our website at pbs.org, you'll find the charges laid out, and responses to them from scientists, historians and public health officials.
Well, thanks Bill. After all that drama, you want me to go look it up on
your website.
Errg! If you need a vacation, Bill - just take one already. Don't fluff your way through topics that matter.